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The computer has been programmed to apply Duchamp's maxim 'Reduce, reduce, reduce'. The computer emphasises the Cartesian grid that lies as the foundation of the digital image, and its inherent formalism.

The larger the audience, the more successful this installation becomes. It is dependent on its audience, patiently waiting for participants. It looks at the very nature of image making itself and how the real image compares with the digitally mediated image.

| Cymar, Wiemar, Germany |