| L’Appât |

The lure. The bait. Aesthetic conditioning and the abusive use of signs.

Attracted to the hypnotic animations of the pharmacy sign, or the bright geometric forms of the flytrap, humans and insects alike are conditioned to respond to these visual stimuli.

Anti-Mouche (Version Robert Morris), uses the appropriated visual language of Minimalism and Post-Impressionism to create a terrible beauty. Pinsky made enlarged replicas of mass-produced fly traps. These objects that use siren-like attractive powers to kill and brutalize the unsuspecting fly. But who gets caught? The consumer or the fly? .

| Anti Mouche Mas d'azil France|