All the Tyres from Iceland: NDSM, Amsterdam
22 September – 24 November 2025
All the Tyres from Iceland is a sculptural project by Michael Pinsky that has transformed discarded tyres—imported from Iceland to the Port of Amsterdam for recycling—into monumental site-specific installations. By temporarily diverting tyres from GRANUBAND’s recycling process, the work reimagines these objects of negative value as striking forms that evoke both minimalist art and the vast infrastructures of global trade. In doing so, the project highlights the paradoxes of circular economies, where waste becomes resource, and invites reflection on the systems, logistics, and values that shape our relationship with what we discard. This project is part of the european Starts4Water programme and is hosted by WAAG futurelab and the Port of Amsterdam.
https://www.ndsm.nl/en/agenda/waag
Pollution Pods: Festival Internacional Cervantino
Following shows this year in Cartagena, Colombia, at the World Health Organisation’s Global Conference on Air Pollution and Health, Barakaldo Bilbao and at BBK Klima in Urdaibai, the Pollution Pods will next travel to Mexico for the British Council’s showcase of UK arts at the Festival Internacional Cervantino. The UK is the Guest Country of Honour at this year’s festival, one of Latin America’s largest cultural events, running from 10–26 October.
https://festivalcervantino.gob.mx/actividad/1301/pollution-pods
#PlaceLallaYeddouna has been shortlisted for the prestigious Aga Khan Award for Architecture. This stunning new addition to the Fez medina, designed by @mossessian_architecture, seamlessly blends with its historic surroundings while celebrating local materials and craftsmanship
I designed the tiles for the seven courtyards—crafted from locally made tiles, using only the traditional Fez colour palette. The hues of the sky fold into the space through simple geometric patterns, gradually evolving into classic #zellige motifs.

MAKING A STAND
15th of June 2023
LEEDS – YORKSHIRE, UK: Today (Thursday 15th June) commuters and visitors arriving into Leeds city centre have been greeted by an extraordinary sight. A remarkable sculptural ‘forest’ has taken root in the main public square outside Leeds railway station.
Comprising 127 seven-metre-high timber fins, this quietly powerful temporary installation entitled ‘Making A Stand’, aims to ‘disrupt’ the popular pedestrian route by creating an awe-inspiring artwork using commercially grown timber ‘borrowed’ from the construction supply chain, which can be repurposed when the work is dismantled at the end of the year.
Amidst the ongoing discourse surrounding climate protests and their impact on everyday lives, ‘Making A Stand’ is a thought-provoking artistic intervention that invites people to pause, explore and contemplate major environmental issues in a visually striking and provocative manner.
The installation is co-created by acclaimed visual artist Michael Pinsky (whose work is known for challenging the status quo on climate change and urban design), and award-winning environmental architects Studio Bark. It is one of 12 signature projects commissioned as part of LEEDS 2023’s transformational Year of Culture, and is inspired by the city’s origins as a forested area called Leodis over a thousand years ago, which gave rise to the name ‘Leeds’.
The co-creators of ‘Making A Stand’ aim to draw attention to the urgent need for the built environment industry to replace carbon-intensive materials like concrete and steel with more sustainable alternatives, such as timber. The project aims to ignite a conversation surrounding material life cycles and to demonstrate that large-scale, temporary art can also be created in a sustainable way.
The timber fins, which have been ‘borrowed’ from the supply chain at the point between felling and stacking, are positioned vertically making them quite literally ‘stand up’ like a ‘stand’[1] of trees in nature. The fins work together with a webbed canopy of steel wire ropes and steel struts, acting in tension and compression to ensure minimal damage to the wood so that it can be repurposed at the end of the year, minimizing waste while maximising opportunities for carbon capture and storage.
The project uses timber felled from sustainable forests in the UK where wood is grown for use in construction. Sliced into ‘fins’ by Whitney Sawmills in Herefordshire, the final stages of fabrication took place at Stage One, a specialist fabricator based near York.
Roadsworth
Natural Cycle
Roadsworth
As part of our new arts strategy X Marks the Spot for King’s Cross we have invited Roadsworth to create a mini-city with streets, pavements and crossings, combining natural elements which can been seen in Camley Street Nature Park.
Here, children of all ages can learn how to be a confident cyclist in a safe environment. Habits learnt at young age tend to stay with us for life. If a child then chooses to use the bike not the car as their primary mode of transport the carbon savings over their lifetime can be huge.
Just over twenty years ago, street artist Peter Gibson aka Roadsworth began taking to the streets of Montreal in the early mornings, spray-painting cyclist symbols on roads to protest the lack of bike lanes and paths in the city. As the number of Roadsworth’s arrest warrants mounted, his controversial street images turned the pavement into politics rekindling the debate about the nature of public art. After narrowly evading the Canadian penal system, Roadsworth went on to use his particular quirky and humorous approach to street design across the world, working with Cirque du Soleil, Tour de France and Banksy’s Can’s Festival. His approach of blending art and activism can be seen in his collaborations with organisations such as Greenpeace and Amnesty International.
- X Marks the Spot is a five year are programme curated by Clare Philips and Michael Pinsky
- Natural Cycle is located in Coal Drops Yard, King’s Cross N1
- Natural Cycle is open daily and will be in-situ until October 15th 2022
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Pinsky will be part of a cross-disciplinary team of engineers, planners and consultants. The West Bay work is part of the wider Dorset Coastal Connections portfolio of 18 projects. The portfolio is funded by the Coastal Community Fund and coordinated by the Dorset Coast Forum. The Arts Development Company is working collaboratively with Dorset Coast Forum and the individual project teams. The project will continue until Summer 2019.
Cleo Evans, Art and Environment Lead at the Arts Development Company, said:
‘It’s fantastic to have an artist of this calibre working on West Bay. His work is internationally renowned and exceptionally high quality.’
The project a covers a new central ‘Hub’, the construction of a boardwalk and viewing platform on East Beach, enhancements to the West Beach promenade and the creation of a cycle path between West Bay and Bridport.
June 18, 2017 – July 7, 2017
A series of domes containing pollution from cities around the world will be placed in the Norwegian city of Trondheim as part of an investigation by psychologists to ascertain whether art can really change people’s perception of climate change.
Five interconnected geodesic domes will contain carefully mixed recipes emulating the relative presence of ozone, particulate matter, nitrogen dioxide, sulphur dioxide and carbon monoxide which pollute London, New Delhi, San Paolo and Beijing. Starting from a coastal location in Norway, the visitor will pass through increasingly polluted cells, from dry and cold locations to hot and humid.
The release of toxic gases from domestic and industrial sources both increase the rate of global warming and have a direct effect on our present-day health. In the West, in cities such as London, one in five children suffer from asthma, whilst in the developing countries such as Delhi, over half the children have stunted lung development and will never completely recover.
Whilst those in the developed world live in an environment with relatively clean air, people in countries such as China and India are being poisoned by the airborne toxins created from industries fulfilling orders from the West. The experience of walking through the pollution pods demonstrates that these worlds are interconnected and interdependent. The desire for ever cheaper goods is reflected in the ill-health of many people in world and in the ill-health of our planet as a whole. Within this installation we will be able to feel, taste and smell the toxic environments that are the norm for a huge swathe of the world’s population.
Pollution Pods has been commissioned by NTNU as part of Climart a four-year research project that examines the underlying psychological mechanisms involved in both the production and reception of visual art using these findings in an attempt to unite the natural sciences to the visual arts. The project is funded by the Norwegian Research Council and is housed at the Norwegian University of Science and Technology (NTNU) in Trondheim, Norway.
Pollution Pods will be shown as part of the STARMUS festival in Trondheim, Norway. The STARMUS festival is an international gathering focused on celebrating astronomy, space exploration, music and art. Scientists and astronomers including Stephen Hawking and Buzz Aldrin will be speaking as part of this festival.
Norwegian Research Council
Build With Hubs
The Norwegian Institute for Air Research (NILU)
Airlabs
University of East London
If you would like to attend the launch event please email here for more information.
Pollution Pods is located on Festning, 7014 Trondheim. 63°25’42.0″N 10°24’44.1″E
https://goo.gl/maps/LfDHpmG9TfN2
Opening hours
Tuesday -Saturday 12.00 – 20.00
Sunday 12.00 – 18.00
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Studio
88 Gifford Street
London
N1 0DF
Mobile: +44 (0) 7958 713853
Telephone: +44 (0) 20 7607 9924
Email: michael@michaelpinsky.com
Recent Posts
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All the Tyres in Iceland on show at NDSM, Amsterdam November 14,2025
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Pollution Pods at the International Cervantino Festival November 14,2025











