The Final Bid
30.10.2022 – 26.02.2023
Draiflessen Collection
Georgstr. 18
49497 Mettingen, Germany
Opening Hours
Wednesday – Sunday
from 11:00 a.m. to 5:00 p.m.
The first Thursday every month
from 11:00 a.m. to 9:00 p.m.
Closed Monday and Tuesday
The Final Bid questions the ease in which we can purchase new objects whilst perfectly useable objects lie unwanted in people’s homes. Using the Draiflessen Collection as a hub for an on-lines auction, chairs will be bought and sold, creating constantly evolving meanwhile sculptures. The installation, conflating the commercial with the cultural, will encourage people to circulate objects they no longer need, promoting an economy of reuse.
The chairs rest on the ground until the opening of the exhibition. Once open, the sale begins, and the chair’s height rise as the value of the bids increase.
The sculptural presence within the gallery only represents an interruption in the re-use journey. These chairs have existed in people’s houses and they will find a new home somewhere else; the aesthetic moment is created by harnessing the byproduct of this process. In effect, the exhibition is created by borrowing assets from the community in exchange for offering a service.
The Final Bid functions in the town, in the museum and on-line. It requires people to participate in the process. Those engaging on-line will be presented with webcam view of the gallery space. As they bid, they will be able to see the height of their chosen object change accordingly. Participants can also bid in the gallery, to experience the re-configuration of the objects in real space and in real time.
The Final Bid, plays with the idea of collecting artifacts and the value they gain when placed within a museum context. Whilst some of the chairs may have significant sentimental value, they generally have a low commercial value. Following the traditions of the ready-made, they are, for a moment, displaced from their functional use, becoming a sculpture to be viewed rather than furniture to be sat on. However, they will return to their former use once purchased, as if Duchamp’s urinal was to be fitted back into a public lavatory.
UP IN THE AIR
24.02.2022 – 19.06.2022
KUNSTMUSEUM
BONN
Air has an existential significance for all forms of life in the world. It is everywhere, albeit invisible and evanescent; it is literally impalpable. While until now in everyday life we have taken air for granted, in current political and social discourses air appears as a central element: during the corona crisis, we wear face masks to protect others from the air we breathe out, scientists are investigating the role of aerosols in the transmission of the Covid-19 virus, and climate activists fight for clean air and hence against climate change.
The exhibition focuses on air as an artistic material and as a carrier of forms and ideas in the visual arts. The works on display, just like the material they all share, are sometimes expansive, sometimes minimal or even invisible, solid as well as ephemeral, they are located indoors as well as outdoors. The art works storm, whisper, blow, evaporate, breathe, and float.
With works by Nina Canell & Robin Watkins, Charlotte Charbonnel, Judy Chicago, Christo & Jeanne-Claude, Andreas Gefeller, Stefani Glauber, Hans Hemmert, Edith Kollath, Lang/Baumann, Piero Manzoni, Lyoudmila Milanova & Steffi Lindner, Yoko Ono, Otto Piene, Michael Pinsky , Arcangelo Sassolino, Rikuo Ueda, Ulay/Marina Abramović, Timm Ulrichs, Andy Warhol, Martin Werthmann
#POLLUTION DRIFT
16th Oct – 2nd Nov 2021
Pollution Pods journey to COP26
This October, Pollution Pods by the artist Michael Pinsky will travel to the UN Climate Change Conference (COP26) to bring home the health impact of air pollution and the climate crisis.
Air pollution kills an estimated 7 million people globally each year. The pods will allow visitors to experience some of the worst quality air on the planet, and understand why action on air pollution is urgently needed.
The five pods will start in Granary Square, London, then disperse and drift north. Lone pods will touch down in Birmingham, Sheffield, Lancaster and Newcastle. They will reunite as a family in Glasgow on the eve of COP26, with a call for world leaders to make air pollution an explicit priority in climate action and sustainable development activities.
The Pollution Pods are a series of geodesic domes whose air quality, smell and temperature accurately recreate the pollution of five different locations on three continents: London, Beijing, São Paulo, New Delhi and Tautra, a remote peninsula in Norway. Pinsky created the pods in 2017 to test whether art can change people’s perceptions of, and actions around, climate change. Now they face their greatest challenge yet – to shift the debate on air pollution and climate change to help secure real change at COP26.
The pods will be accompanied by Ride for their Lives – staff from six UK children’s hospitals who are cycling 800km from London to Glasgow to deliver messages from the international health community including the Healthy Climate Prescription Letter, signed by 450 medical organisations across the globe.
Full details about the tour here.
HOOD is featured on SkyArts new series called Landmark. Episode 6. Other artists featured in this episode are Annie Catrell and Kevin Callaghan. Available on Freeview Channel 11. Judged by Clare Lilley and Hetan Patel. View link here.
Pollution Pods – COP25 Madrid
IFEMA
Av. del Partenón, Nº 5, 28042 Madrid, Spain2 December – 13 December 2019
The Pollution Pods are being presented by Cape Farewell and the World Health Organisation at COP25 in Madrid.
A series of domes will recreate the pollution from London, Beijing, São Paulo, New Delhi and Tautra in Norway. Forming a ring in the gardens of the Nations Headquarters, visitors will pass through the climatically controlled pods to compare the quality of polluted global environments. All five Pollution Pods are linked, so that one has to pass through all of them in order to exit the installation. This visceral experience encapsulates the sense that the world – and our own impact on it – is interconnected.
Michael Pinsky will be presenting discussing the installation at CaixaForum in Madrid, on December 12th as part of ¿ Más grados° más arte? an event organised by Art of Change 21, The event will be held in Spanish and English with simultaneous translations. Admission is free and open to all.
Pollution Pods was originally commissioned by the Norwegian University of Science and Technology for Climart and has been built with the support of BuildwithHubs. Pollution Pods has received funding from Arts Council England. The tour of Pollution Pods is managed by Cape Farewell. Pollution cocktails created are by IFF‘s global network of scent experts and dispersed using Aroma technology.
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Lurking deep below the surface of Ourcq Canal jettisoned objects await recovery. Over the years their surfaces have gained the complexion of aquatic wreckage. For L’eau Qui Dort, the artist Michael Pinsky has used divers and cranes to dredge the canals and extract this debris.
Forty of these ghostly objects have mysteriously appeared upright on the surface of the canal water, bathed in aquamarine light. Again visible, these bicycles, shopping trolleys, signs and fridges confront their owners, demonstrating that society’s desire for the new can only be supported by rendering the old invisible.
A strange and beautiful soundtrack has been generated from these objects played by those who live around the canal. Each night this eerie composition emanates from spaces around the canal to form an intricate three-dimensional soundscape.
L’eau Qui Dort has been commissioned by COAL for La Villette during COP21 in Paris. The installation can be visited from November 25th 2015 until January 3rd 2016 and is free to the public.
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N1 0DF
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